Doncheva, Gergana (2010). The Image of the Balkans in Balkan and Western Films: Representation Strategies, Veliko Tarnovo: Faber.

The Arts, Politics, Change: Participative Cultural Policy-making in South East Europe (Volume of papers and case studies), Sofia: Semarsh, 2005 (co-translator).

Journal Articles and Book Chapters:

Doncheva, Gergana (2014) The Migrating Balkans. Emancipation from the Territorial Placement, In: Globalization & Culture: Educational and Cultural Policies in Southeastern Europe, Sofia: Institute of Balkan Studies & Centre of Thracology

Doncheva, Gergana (2014) The Figures of the Communist Power in Bulgarian and in (post)-Yugoslav Film, In: Socialism in the Museum of Post-socialism, Sofia: New Bulgarian University

Doncheva, Gergana (2014) To What Extent the Images of Self-representation within the Cinema of the Balkans are Balkan?, Bulgarian Ethnology, No.2, pp.176-189.

Doncheva, Gergana (2014) The Conquer/Fetih 1453: The Turkish Version,

Doncheva, Gergana (2013) Is It Possible a Gay Parade in the Balkans?, In: The Comedy of the Balkans: Collected Papers from the 4th edition of Divan Film Festival, Port Çetate: Foundation Mirҫea Dinescu, pp.55-59.

Doncheva, Gergana (2013) Balkan Accents, Kino Magazine, No.2, pp.16-18.

Doncheva, Gergana (2012) Romanian ‘New Wave’: Ten Years Later, Kino Magazine, No.3, pp.42-43.

Doncheva, Gergana (2012) The Meaning of the Emotions in Bulgarian Historical Film, In: …First Joy to Me: The Emotional Components in Bulgarian National Identity, Sofia: Queen Mab, pp.225-239.

Zaimova, Raya and Gergana Doncheva (2012) Education in History and Emotions, In:  …First Joy to Me: The Emotional Components in Bulgarian National Identity, Sofia: Queen Mab, pp.205-225.

Doncheva, Gergana (2011) The Motive of the Impossible Return in the Film of Theo Angelopoulos Gaze of Ulysses, In: Greece, Bulgaria, Europe, Sofia: Institute of Balkan Studies & Centre of Thracology, Sofia University Press, pp.118-124.

Doncheva, Gergana (2009) Disintegration of Yugoslavia – Serbian Cinematic   Perspective, In:  Balkanistic Forum: Memory and Forgetfulness, No.1-2-3, Blagoevgrad: South West University, pp. 385-395.

Doncheva, Gergana (2009) The Balkans Observed by Three Bulgarian Filmmakers, Literaturen vestnik, No.25, 8-14 July, p.11.

Doncheva, Gergana (2009) Homo Balcanicus: Who Is He? Historical Archive, No.18-19, March-April, pp.128-150.

Doncheva, Gergana (2009) The War in Former Yugoslavia (1991-1995) in Croatian Films, In: State, Society and Culture of Bulgarians and Croats – VII-XXI centuries (Volume of articles), Sofia: Gutenberg, pp.493-507.

Doncheva, Gergana (2008) Balkan Cinema as a Touchstone of Self-Reflexiveness, Obektiv, No.151, January-February, pp.24-25.

Doncheva, Gergana (2006) The Rationalization of the Balkans or, on New Balkan Cinema, In: Arts Studies Presentations (Volume of articles), Sofia: Institute of Arts Studies, Bulgarian Academy of Sciences, pp.87-94.

Doncheva, Gergana (2005) Cinema as an Oracle, In: ‘Old’ Cinema – New Media –‘New’Spectators (Volume of articles), Sofia: National Academy for Theatre and Film Arts, pp.106-111.

Doncheva, Gergana (2004) The Younger Generation on the Balkans between Yesterday and Tomorrow, In: Towards Non-Violence & Dialogue Culture in South East Europe (Prof. Petar-Emil Mitev, James Riordan, eds.), Sofia: Ivan Hadzhiyski Institute for Social Values and Structures, pp.47-55.

Doncheva, Gergana (2003) Markers of Diversity: Stereotypes, Culture, Language, Science (Edition of the Union of the Bulgarian Scientists), No.4, pp.75-80.

Doncheva, Gergana (2002) Antiheroes in the Films about Vietnam, Chechnya, Afghanistan and Former Yugoslavia, Media Development, No.2, pp.64-68.


Doncheva, Gergana (2014) ‘The Time of Women’: about TV serial melodrama without prejudices [Review on the monograph The Melodrama in TV Serial by Evdokia Borisova, Plovdiv: Zhanet65, 2014], Kino Magazine, No.3, pp.17-21 ISSN: 0861-4393.

Doncheva, Gergana (2014) Europolis as a lieu de memoire: Do we have to be terrified by Jean Bart’s Prophecy?, In; Roads and Trails of Europeanism in the Balkans, Sofia: Institute of Balkan Studies & Centre of Thracology, Faber, pp.39-395, ISBN 978-619-00-0013-6.

Doncheva, Gergana (2013) The Indispensable Rehabilitation of Bulgarian Cinema [Review on the monograph Bulgarian Cinema: From Kalin Orela to Mission London by Ingeborg Bratoeva-Daraktchieva, Sofia: Institite of Art Studies, 2012], Kino Magazine, No.6, pp.16-20, ISSN: 0861-4393.

Doncheva, Gergana (2013) The Voice of the Baroque: Ivan Gundulić and the Croatian Baroque Norm by Lyudmila Mindova, Sofia: Altera, 2011, Études balkaniques, No.4, pp. 236-240, ISSN: 0324-1654.

Doncheva, Gergana (2012) Equilibristics of the Self or Who Narrates the Interwar Psychological Novel on the Balkans by Malamir Spasov, Veliko Turnovo: Faber, 2011, Études Balkaniques, No.1, pp.192-195, ISSN:0324-1654.

Doncheva, Gergana (2011) Tribute to Nadya Danova, Kultura, No.44, 23rd December 2011,, ISSN: 1310-9561.

Doncheva, Gergana (2011) Themes Journal: Nish University’s established ‘brand’ in the field of social sciences, Sociologia & ikonomika, No.1, pp.150-155.

Doncheva, Gergana (2007) Café Europe [Café Europe, Sofia: Damyan Yakov, 2007], Liternet,

Doncheva, Gergana (2006) Pieces of Dreams, In: Kinokultura, Special Issue 5: Bulgarian Cinema (Dina Iordanova, ed.),

Doncheva, Gergana (2006) Searching for an Enthralling Song, In: Kinokultura, Special Issue 5: Bulgarian Cinema (Dina Iordanova, ed.),


Doncheva, Gergana (2014) Serbian Cinema Today – Interviews with Goran Paskaljević, Goran Marković and Mina Ɖukić, Kino Magazine, No.2, pp.23-29, ISSN: 0861-4393.